Info
Duration: 55’ 12”
Narrated by Christopher Nupen
Year of production: 1969
Contributors include:
Jacqueline du Pré
Daniel Barenboim
Itzhak Perlman
Pinchas Zukerman
Zubin Mehta
On August 30th 1969, five young artists, all of whom were beginning to be established as international artists of the highest rank, came together to play Schubert's "Trout Quintet" in the new Queen Elizabeth Hall in London. Their names: Itzhak Perlman, Pinchas Zukerman, Jacqueline du Pré, Zubin Mehta and Daniel Barenboim.
The intention was two-fold: to film the concert itself live on stage, exactly as it happened, with five film cameras, and to make an introduction to it during the preceding week, documenting the preparations and, in particular, the spirit behind the event. It was a heady blend of observational documentary and classical music performance that became synonymous with Allegro Films.
The artists had all been intimate friends for many years but, more important, they had a great deal in common musically. In addition, they shared an exuberance in their talents which was unforgettable. Furthermore, they were all close friends with the director, Christopher Nupen, which gives the film an air of intimacy which, at the time, was completely new to classical music programmes on television.
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This recorded performance of THE TROUT quickly acquired a legendary status and the film remains among the most celebrated musical treasures in the history of television.
Our Films on DVD
This DVD contains two of the most famous Schubert films — each entirely different from the other in style, content and spirit.
The first, The Trout, presents a youthful explosion of exuberant talent; starting with Schubert himself — who wrote his Trout Quintet when he was 22 years old. His lead is picked up and brought to life by five extravagantly gifted young musicians when they were barely older than Schubert had been when he wrote the piece. Their names: Daniel Barenboim, Itzhak Perlman, Pinchas Zukerman, Jacqueline du Pré and Zubin Mehta.
The film was shot in a single week in August of 1969 and culminates with a performance of Schubert's Trout Quintet, filmed live on-stage at the new Queen Elizabeth Hall, on the south bank of the Thames, in London.
The second film, The Greatest Love and the Greatest Sorrow, looks at Schubert's astonishing achievements in the last 20 months of his life - after the death of his god, Beethoven. He asked the question, "Who would dare to do anything after Beethoven”? The answer, of course, was Franz Peter Schubert, in the music which he wrote after Beethoven's death.
This DVD is an intimate account of the formative years in the life and career of one of the leading violinists of our time.
Itzhak Perlman fell in love with the sounds of the violin at the age of 3½ but contracted polio a few months later and was soon to learn that it would be impossible, with his handicap, for him to pursue a high-level career as a violinist.
Not only has he succeeded in doing what the world thought quite impossible but he has done it on a level that few have matched. It is a heartening story of the spectacular triumph of talent, determination, character and tenacity over seemingly insurmountable odds, producing truly glorious results along the way.
The DVD contains the much-admired portrait film Itzhak Perlman: Virtuoso Violinist (I Know I Played Every Note) together with The Trout Remembered, Jacqueline du Pré Remembered (made especially for this DVD) and two complete Bach Partitas, E major and D minor, filmed live at a memorable recital at St John's, Smith Square, in London.
This DVD contains a re-release of two of our most cherished Jacqueline du Pré films. The first is a portrait film which was epoch-making when it premiered; the second is a performance film which was described by the French opera and film director Jean-Pierre Ponelle as the most successful translation of musical performance onto the screen that he had ever seen. Both were pioneering films, made possible by the newly invented lightweight, silent 16mm film cameras.
We were lucky to be there in the right place, at the right time, and with the right relationship with Jacqueline du Pré to preserve something of her magic on film. There is an aura which radiates from the great performers and when it comes to remembering the artistic persona, the camera sees things which the other media do not see and it remembers them with an intimacy which nothing else can equal.
The titles of the two films are Jacqueline du Pré and the Elgar cello Concerto, which contains a complete filmed performance of the work with the new Philharmonia Orchestra, conducted by Daniel Barenboim and The Ghost, which is a filmed performance of Beethoven's piano Trio Opus 70 No. 1 played by Daniel Barenboim, Pinchas Zukerman and Jacqueline du Pré.
