Info:
Duration: 49’ 00”
Narrated by: Christopher Nupen
Year of production: 1971
John Williams is almost certainly the most accomplished performer on the Spanish classical guitar that the world has ever seen. Guitar technique was considerably developed and extended in the early years of this century by Andrés Segovia, but he was self-taught and did not begin to develop the technique until he was about sixteen years of age. He also extended the repertoire and established the Spanish guitar on the concert platform of the world.
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John Williams has done a great deal to try and break down the barriers that exist between classical and other types of music. For this reason, he chose Ronnie Scott’s Jazz Club, which is the première jazz club in Europe and appeared there nightly for two weeks with a mixed repertoire. In so doing, he succeeded very well in bringing the classical and jazz audiences together.
The film is centered on one evening in Ronnie Scott’s Club in which John Williams plays music by Villa-Llobos, Stanley Myers, Michael Praetorius, Domenico Scarlatti, Fernando Sor, J S Bach, Isaac Albeniz, Manuel Ponce and Julio Sagreras.
The scope of the film is also extended by sequences which show John Williams working with two contemporary composers, Stephen Dodgson and Patrick Gowers, on new works for guitar and orchestra.
Our Films on DVD
The two very different films on this DVD celebrate, in different ways, the extraordinary quest of Andrés Segovia. He was an Andalusian, par excellence, who, in his childhood, fell in love with the beauties of the Alhambra and the melancholy voices of the Spanish guitar and, within the space of 20 years, had taught himself the instrument, revolutionised the technique and elevated the guitar to the highest levels of the international concert platform - an achievement unique in the history of Western music.
The titles of the films are, Segovia at Los Olivos, which we shot in his new home on the Costa del Sol in Andalucia when the Grand Master was 75 and, Andrés Segovia: The Song of the Guitar which we shot in Granada and the glorious Palaces of the Alhambra, when he was 84.
Near the end of his life Segovia said that the first of them was the best thing that he ever did for television. The second won the Prix du Public at the Besançon Festival in 1977.
Music by Bach, Granados, Torroba, Llobet, Tarrega, Castelnuovo-Tedesco, Scarlatti, Ponce, Rameau, Sor, Aguado, Chopin and Albeniz.
There cannot be too many films made of our great performers, provided they are produced with an honest intention and true to the subject. Why? Because film remembers the artistic persona as nothing else can do in quite the same way. This is particularly true in the case of Jacqueline du Pré where so many myths have been invented to explain the unexplainable.
Happily, DVD does not need to explain, it can show the artist just as she was and in a way that was never possible before the invention of the first silent 16mm cameras in the 1960s - just in time for her. First, we present Jacqueline du Pré as seen through the eyes, the ears and the words of the people who knew her best - Who was Jacqueline du Pré? - and second, to present her through her music - Remembering Jacqueline du Pré.
Between those two films the DVD contains a montage of images of Jacqueline du Pré and Daniel Barenboim in action, taken from our archives and accompanied by an audio recording, made by us, of the first movement of the Brahms E minor cello sonata (Interlude with Johannes Brahms) and an interview with Jacqueline du Pré, shot in 1980, which has never been previously released on television, nor on home video.
This DVD presents Vladimir Ashkenazy as pianist, conductor, musical guide and master musician - an intimate and engaging view of one of the world's most quietly successful musicians.
It contains the portrait film Vladimir Ashkenazy: The Vital Juices Are Russian, shot in 1968 when Ashkenazy moved with his wife and son from London to Iceland, an important turning point in his life and career.
Since that film was made, Ashkenazy the pianist (possibly the most frequently recorded pianist in history, his discography runs to 56 pages), has also become an international conductor of the highest rank and we include a montage of sequences from our composer films with Ashkenazy as conductor. It also contains a short interview with Ashkenazy who talks, in his modest but penetrating way, about musical gifts and their origins.
The DVD ends with a film about Rachmaninov's Corelli Variations. In it Ashkenazy discusses the piece at length, with great affection and some telling musical insights. It ends with a complete performance of the piece, filmed at a public concert in Lugano.
